How does seraphim falls end

In this moment we feel the pain of the character and get some idea of his precarious predicament, but moments like this come in fits and starts, and ultimately the film doesn't have much of an emotional arc. Our indifference towards Neeson's character is compounded by the scene in the log cabin.

Brosnan leaves the cabin at first light, and a few hours later Neeson's men come looking for him, trash the place and attempt to rape the young woman to make her father talk. It is possible to make the audience care about an utterly loathsome character if we understand their motivations - for instance, Gene Hackman's character in Unforgiven.

In order for us to stay with Carver in the face of such needless cruelty, we need an understanding of what is driving him - and we don't get nearly enough to justify any part of this really uncomfortable scene. Having stumbled from one episodic interaction to the next, Von Ancken then gives us not one, but two endings.

The first ending is actually pretty decent, with the two men fighting in the middle of nowhere after the truth about Seraphim Falls has come to light. We expect this to be the moment where the film really hits its stride, or at the very least ends on something of a high note. Unfortunately, well after the first ending should have ended, Seraphim Falls keeps going and becomes a little bit pretentious.

The second ending feels like the film had realised it had nothing to say, and so the writers threw in a bunch of vaguely existential dialogue to compensate. The film tries to emulate Jim Jarmusch or Alejandro Jodorovsky, but the sudden gear shift into the surreal just doesn't work.

Anjelica Huston is a welcome screen presence, but her character belongs in a completely different film. In the face of all this disappointment, there are a couple of good things about Seraphim Falls that should be emphasised. The film looks really good, particularly during its early sections in the Ruby Mountains. John Toll, who also shot Braveheart and The Thin Red Line, has a really good eye for breath-taking, forbidding landscapes, and his choice of colours is crisp and eye-catching often more so than the characters.

The production design in general is also verygood. The film doesn't use sound anything like as effectively as Leone, but the fight scenes feel brutal and realistic, particularly in the final showdown s between Carver and Gideon. The score by Harry Gregson-Williams doesn't get quite enough room to flourish, but when it does, it's very fitting and forbidding. And the flashback scenes are generally well-orchestrated, drawing heavily on Gladiator but still being reasonably memorable.

Seraphim Falls is a largely forgettable western which is brought low by its televisual storytelling, low stakes and poor character dynamic.

As inviting and professional as the film looks, its plot is far too episodic to sustain viewer attention; for every brief oasis of energy, there's a barren wasteland of 20 minutes through which the audience must trudge. No matter how hard Brosnan tries, the end result is dull and mediocre. Daniel M Super Reviewer. Feb 19, Really got a kick out of this moralist Western starring two Irish lads in a cross country chase for blood. The opening sequences are among the best ever filmed treating the sheer terror and adrenaline rush of an out-and-out chase, and are nearly silent the whole time, such is the high action quotient.

Lots of beauty nature shots to offset the ugly of man stuff too. Limps a little at the end when its time for the moral but that's okay. Kevin M. W Super Reviewer. May 08, In a Post Civil War world where vengeance is the only way to gain revenge on wrong doing Pistol Crackshot Carver Liam Neeson and his team of "bounty hunters" vs.

Knife wielding Gideon Pierce Brosnan all by himself. The reason why the feud between the two will forever haunt you as you watch in anticipation as of how this ongoing battle between the two will eventually pan out.

A good western from start to finish Consider viewing this it is different in almost every way! Fascade F Super Reviewer. See all Audience reviews. There are no approved quotes yet for this movie. Best Horror Movies. Worst Superhero Movies. Best Netflix Series and Shows. Go back. More trailers. Dexter: New Blood: Season 1.

The Shrink Next Door: Season 1. No Score Yet. Not recommended for western fans who like good guys versus bad guys, because there are no good guys in this film. In , Liam Neeson and his shrinking band of hired help tracks the lone Pierce Brosnan through the mountain wilderness and then down into the valley where each must pass through various Western iconic communities: the trapper's cabin up in the mountains, the wagons of the religious settlers, the mining camp with its likker-drinking Irish, and the lone miracle-cure peddler on her cart.

It was at the end of the Civil War. Due to accident and misunderstanding, Captain Brosnan's men burned down the barn and the house of peaceful farmer Liam Neeson. Neeson's lovely wife, their child, and their little baby were in the house.

Neeson's thirst for revenge is unslakable. It's COLD up in those mountains. Everyone is bundled up in great big bearskin coats. Brosnan is wounded in the shoulder and there is a painful scene in which he screams while extracting the ball and cauterizing the wound. The script is perceptive enough to have him treat the arm tenderly for the rest of the movie.

Brosnan loses his bearskin coat when he falls in a river, goes over what looks like Victoria Falls, and manages to swim away. This guy is clearly on a first name basis with suffering. The framework for this story was provided by some previous exercises in survival in the wilderness against great odds. There's even a notion ripped off from Liam Neeson's own "Rob Roy," in which Brosnan hides inside a hollowed-out dead animal. It's designed as a fairy tale, I think.

It's hard to tell whether the writers and director expect us to believe that Brosnan could survive under those conditions, or that Angelica Huston could appear out of nowhere with a horse and wagon in the middle of a parched desert, and then be on her merry way. In the end, the two men have battled and bloodied each other to exhaustion and both have lost the ability to kill, so they stagger off on this dry plain, each going his separate direction, before both figures dissolve into nothingness.

If there is a covert message, and the film seems to creak at the joints trying to impart one, it must go something like: "Let bygones be bygones," or "Peace is better than war," or "Cut the crap. The way Brosnan's beard comes out, it can't help making him into a comic figure. He could be in a Charlie Chaplin movie. And I like Liam Neeson, but I like him much better as a nice guy than as a grim reaper. His nose begins in the middle of his forehead. I certainly hope it has nothing to do with the fact that Neeson was born in Northern Ireland and Brosnan in the Republic.

Neeson even gets to come up with a famous quotation: "Only the dead have seen the end of war. It appears to have come from Santayana's "Soliloquoys" written after World War I : "Yet the poor fellows think they are safe! They think that the war is over! Only the dead have seen the end of war. I'm just throwing this trifle in. I had to Google it myself. They wound him but he escapes.

The hunter leader is a tough, vengeful man and the hunted is a two-fisted and resourceful war veteran. They spend most of it running through the snow, desert, and woods, being pursued and chased. The two leading men are magnificent in the hostile environment which the flick is set in. There are still nice scenes to see such as Brosnan leaping from a cliff and several sparkling duels.

It also results to be surprisingly gory along with a handful of violent and breathtaking action scenes. It's a thunder stuff with a strong star cast. The actors supporting the lead roles are fine , mostly acting as rare persons or fools of one sort or another, as an Indian philosopher played by Wes Studi and a mysterious peddler by Angelica Huston.

Riveting cinematography by John Toll , reflecting wonderfully the landscapes in the ultimate unfriendly environment. Suspenseful and appropriate musical score by Harry Gregson-Williams. A must see for every enthusiast of a decent action western movie.

If you are a fan of the guys, Brosnan and Neeson, you'll want to watch this one. The motion picture is finely directed and well written by David Van Anckan. Rating : Good, it's competent enough, a straightforward entertainment that results to be an intriguing story turned into an OK actioner Western. However , this is definitely an adult-oriented flick because of the violence, amount of gore and some profanity language on hand. It's one of the best Western films of the last years.

You go over an hour and a half before you know why Pierce Brosnan is being pursued by Liam Neeson. The latter comes off as a vicious killer, killing his own people along the way.

This is a post-civil war western. Believe me, the westerns they made in the s were far superior to this long and often boring cat and mouse chasing scene. The picture has beautiful cinematography going for it. Unfortunately, that's about it.

It becomes a wild shooting spree. What is the purpose of Anjelica Huston's bit-part as a lady with tonics at the end? Has Miss Huston's career gone that far downhill that she has to subject her acting talents to this junk? After all that goes on, the two guys walk away in the end.

This is another Duel in the Sun without the deaths in the end. A major disappointment. Liam Neeson, "Since Schindler's List," your career has taken a dive by a series of miserable films. Ditto for Brosnan. Get him back as The reason why is not yet known, but it's the beginning of a relentless pursuit that's propelled by rage and hatred, a pursuit that will force both men to the day of reckoning. The premise is as simple as it gets and on the surface the film holds no surprises until the divisive ending.

However, before taking in the thematics of the story, it's refreshing to find a film of this genre type utilising the scenery to the max, whilst simultaneously playing out with sparse dialogue as two grizzled actors tell the story.

Moments of violence flit in and out of proceedings, these moments cloaked magnificently by natural surroundings, where the expansive wilderness plays host to the intimate human drama unfolding. It's also a film that pulses with mythical atmosphere, where Carver's pursuit of Gideon plays out like that of the Grim Reaper and his charges sent to capture the soul of the fleeing man.

The falls of the title clearly indicates man's decent into hell, because it's not for nothing that the finale is played out on a blistering plain, which as you cast your eyes upon it, it is indeed hellish.

It's also worth noting that we the viewers are never sure who we should be rooting for - if either of them!? Gideon is out on his own, but he is an immensely skilled mountain man, one who is seemingly out skilling his pursuers.

Is he the bad guy here? Or is it Neeson's Carver? One is ex Union, the other Confederate, this gives added spice to what then develops into a most intriguing journey. Where the film has irked some critics is with the ending, with some calling it pretentious and a very weak pay off. It's true enough to say that Ancken has slackened the grip slightly, as the tight gritty tone gives way to something more open and even airy. Yet I personally like it a lot, it helps to round out the supernatural feel that appears to loom as we have headed towards the day of reckoning.

It lacks dramatic impact for sure, but thematically and for tonal bedfellow process, it pays off on what had gone before it. Brosnan stepping in when Richard Gere bailed out and Neeson revel in the roles, seemingly enjoying the complexities and war torn burdens that their characters carry.

Their scenes together are as professional as one could wish, both men comfortably doing world weary characterisations. Wincott is on hand for gravel voiced villain duties, his portrayal of Hayes is cold and in keeping with the movie. The other notable names in the cast drop in and out of the narrative, each important, and in the case of Huston and Studi, suitably weird. Switiching seamlessly from the blue, grey and whites of the mountain pursuit to the browns and yellows of the salt flats, we witness a master cinematographer at work.

Likely to infuriate as much as it enthrals, one just hopes that it's the latter that anyone reading this does indeed find to be the case. Neeson is a former Confederate officer, Carver, who bears a grudge against solitary ex-Union captain, Gideon Brosnan. In the company of four other men, Carver relentlessly tracks Gideon down. And he will do absolutely anything to get his man, revealing a hard edged and ruthless nature.

As the movie starts, we're not made aware of Carvers' and Gideons' shared past; we just know one wants the other dead, BAD. The characters aren't really fleshed out until the end. Although we can make a pretty good guess as to what happened between the two men, it's devastating once we finally see the flashback. Ones' sympathies may waver a bit while watching this.

Counteracting the inherent need to root for a person who has been wronged is the fact that Carver is so cold blooded about his mission.

Don't much matter how you spell it, a woman ain't gonna be yours unless you're paying her for the night. You pay her to be sweet to you, kid, that's all. Don't never mix up money and love. Separate from membership , this is to get updates about mistakes in recent releases.

Addresses are not passed on to any third party, and are used solely for direct communication from this site. You can unsubscribe at any time. Early in the movie, there is a visible circular, plastic looking effect on Gideon 's arm as he removes the bullet with the knife.

This is more noticeable around his shoulder when he cauterizes his wound with the hot knife. Carver is motivated by revenge, Gideon only wants to live. Their bare fisted battle of wits and survival instincts leaves both men brutalized, battered, and in the end completely broken.

The chase is well done, and grim. Both Neeson and Brosnan drop their British accents to play cowboys. How successful they are at doing that is hard to say.